Taiwanese artist Pahsi Lin (1960) demonstrates a profound knowledge of Western abstract art, learned through the works of masters of previous generations, such as Ho Kan, while also embracing his belonging to the culture of Asia. His abstract painting often includes refined references to traditional artifacts and the rediscovery of specific chromatic techniques in herent in ancient Chinese art. Twenty large and colorful paintings, part of the Infinite Art series, bear witness to his latest experiments and formal
research.