Reinterpreting the now classic language of Jim Dine (1935, Cincinnati, USA), characterized by tools, hearts, self-portraits, Venuses, and Pinocchios (which will have a dedicated room to themselves), the exhibition unfolds as a journey tracing the complexity of an intimate work, deeply rooted in the profound knowledge the artist holds of European art history, in a poetic and ceaseless exploration of artistic language and self.
