The term “masterpiece” is often overused, but I can’t really think of any other definitions for this film. Almodóvar tackles the complex theme of euthanasia with a delicacy I did not think possible, with precise writing and dialogues that make use of the crystalline talent of two amazing actresses such as Tilda Swinton and Julianne Moore. Almodóvar has created many other masterpieces as we know, but I think this is his most disruptive and heartbreaking work in recent years. Visually stunning, there is no wrong framing, no accent out of place. The film is based on essentiality and dignity, on few means carried out through words and gestures, enough to silence years of debate on a topic often dealt with by people who should learn to keep their mouths shut. I was deeply moved while watching it, and even now, just talking about it, I am still deeply moved.
The already strained relationship between Martha (Swinton) and her daughter shatters due to a misunderstanding that will permanently separate the two women. Ingrid (Moore), a bestselling author, witnesses this painful family feud. During a stay in a house surrounded by nature ...
