• friday, 6 september 2024

End credits

by Roberto Pugliese

Curtains are about to set on the Venice Film Festival. The upcoming TV series M – Il figlio del secolo by Joe Wright is maybe one of the most anticipated premieres in town. Starring as Benito Mussolini an amazing Luca Marinelli. Closing the Competition are two final chapters of as many trilogies. The first is Love (after Sex and Dream) by Norwegian Dag Johan Haugerud – a film on changing sexual mores, and on male homosexuality in particular. The second is an elegy: Youth: Homecoming by Chinese documentarist Wang Bing, a film on the crushed dreams of exploited textile workers. Out of competition, plenty of weighty titles: our beloved Takeshi Kitano is back with mysterious, meta-linguistic film Broken Rage, while Francesca Comencini presents her autobiographical, familial The Time It Takes, starring Fabrizio Gifuni. In the Orizzonti section, workplace drama One of those Days when Hemme Dies by Turkish filmmaker Murat Fıratoğlu and the very current Of Dogs and Men by Israeli Dani Rosenberg, a film on an adolescent’s adventure to find his dog after the October 7 massacre. The International Film Critics’ Week ends with Little Jaffna by Lawrence Valin, a film on a Tamil neighbourhood in Paris. The Venice Days programme’s last entry is Basileia, filmmaker Isabella Torre’s debut feature. As we wait in trepidation for the award ceremony, our screens will show Horizon – An American Saga by – and starring – Kevin Costner and the Gothic The American Backyard by Pupi Avati.

All the photocalls' Daily pick
Curtains are about to set on the Venice Film Festival. The upcoming TV series M – Il figlio del secolo by Joe Wright is maybe one of the most anticipated premieres in town. Starring as Benito Mussolini an amazing Luca Marinelli. Closing the Competition are two final chapters of as many trilogies. The first is Love (after Sex and Dream) by Norwegian Dag Johan Haugerud – a film on changing sexual mores, and on male homosexuality in particular. The second is an elegy: Youth: Homecoming by Chinese documentarist Wang Bing, a film on the crushed dreams of exploited textile workers...
Reality barges in in a million different shapes. Let’s start with an out of competition feature, an ‘unauthorized’ documentary by Russian-Canadian filmmaker Anastasia Trofimova. Her Russians at War about the current war in Ukraine seeks to steer clear of propaganda on either side, focusing instead on Russian soldiers’ bewilderment and disillusionment. From neighbouring Georgia comes filmmaker Dea Kulumbegashvili, who participates in the main Competition with her film April, the story of an abortionist midwife who defies law for humanitarian reasons. Iddu by Fabio Grassadonia and Antonio Piazza, starring an unrecognizable Elio Germano...
Here comes the day of the Joker. Todd Phillips is looking for strike two with Joker: Folie à deux, starring Joaquin Phoenix and a spectacular Lady Gaga. Will the sequel earn Phillips his second Golden Lion? Coming up against it in the main Competition is Diva Futura by Italian-Texan actress and filmmaker Giulia Louise Steigerwalt: the story of the famous porn talent scout Riccardo Schicchi, played by Pietro Castellitto. There’s one actor that we can tell wouldn’t mind bringing home a Lion, we are talking of Vincent Lindon, who plays the part of a widowed father in The Quiet Son by sister-and-sister filmmaking duo Delphine Coulin and Muriel Coulin...
Former Agent 007 Daniel Craig in queer version – desperate and addicted in Luca Guadagnino’s Queer – is one of the most anticipated performances in Competition. The film faces off Harvest by Greek filmmaker Athina Rachel Tsangari, adapted from Jim Crace’s novel of the same name and starring Caleb Landry Jones. Out of Competition, the montage documentary 2073 by Asif Kapadia imagines what the world will look like in fifty years. Spoiler: not well at all. Belgian filmmaker Fabrice Du Welz worked on the infamous case of Belgian serial rapist and killer Marc Dutroux, who inflamed the country...
Peter Weir, one of the most consistent innovators in Australian cinema, and Claude Lelouch, a legend of French cinema. Today, they are both honored with significant awards: the first with a Golden Lion for Lifetime Achievement, and we will see again his maritime epic Master & Commander (2003) starring Russell Crowe; the second receives the Cartier Glory to the Filmmaker Award and presents his brand-new Finalement, starring...
Brad Pitt faces off with George Clooney in Wolfs (Out of Competition) by Jon Watts, the director of the most vibrant Spider-Man reboots from Marvel. The two stars, playing rival hitmen hired for the same job, reunite after Soderbergh’s Ocean’s trilogy and the Coen brothers’ Burn After Reading. More stars are in Competition in a story that contrasts the dizzying heights and drastic lows of a promising European architect who moves to...
What if Einstein and Freud explained to us the reason for war? Amos Gitai’s Why was born in the aftermath of the Hamas attack and Israeli counter-attack. Gianni Amelio’s Battleground (Competition) is also a war story, the story of two soldiers of opposite visions and a shared love for Anna on the backdrop of...
Yes, masks off, today, our third day at the Venice Film Festival. The first mask to go is that of roles and genres – says Halina Reijn, who once teased Gen Z with inflammatory horror Bodies Bodies Bodies, and this year is in the main competition with Babygirl, a spark-filled lovers’ story starring Nicole Kidman and Harris Dickinson. Second mask to go (we’re still in love territory) is the one that gives that reassuring allure of stability, the one that keeps us pushing through even when nothing seems to go right...
In Competition, the life, the art, the loves of Maria Callas in Pablo Larraín’s biopic Maria, starring Angelina Jolie as the divine soprano portrayed in the last few years of her life. Counterpoint: the collective tragedy of Mexican children separated from their family on the American border by the Trump administration, documented in Separated by Errol Morris...
They sometimes come back – and surprise us, again and again. Words of Beetlejuice, the spirit conjured by Tim Burton once, and again thirty-eight years later to open the 81st Venice Film Festival. Words of Venice Film Festival art director Alberto Barbera, too, with sixteen ‘appearances’ under his belt and the real spirit of the Festival, certainly the one who served longest...
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