Lives on the front page

Hawks’ Screwball comedy between rhythm and irony
by Giorgio Placereani
  • friday, 6 september 2024

With His Girl Friday, Howard Hawks rewrites The Front Page, the splendid 1931 film by Lewis Milestone, with a twist that’s both delightful and deeply interpretive: Hildy becomes a woman (Rosalind Russell), while Walter Burns is played by Cary Grant. Hawks recounted that the idea emerged almost by accident: when he mentioned it to Ben Hecht, Hecht replied, “I wish I had thought of that first.” Beyond the work dynamic, Hildy and Walter are a divorced couple, adding spice to Cary Grant’s schemes against the third wheel, Ralph Bellamy’s fiancé.

This is a memorable screwball comedy in which Hawks aims to achieve an even faster pace than Milestone’s. Charles Lederer’s screenplay features rapid-fire, overlapping, and incredibly witty dialogue (“He’s in the hospital; they fear he might recover”) and even includes a couple of meta-jokes. In top form, Rosalind Russell and Cary Grant embody the classic Hawksian “heroic couple”: a man and a woman, two professionals who think alike.

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