An actress making her debut as a film director, Shu Qi spent about six years working on the screenplay for this film which is a clear tribute to her great masters, in particular to Wong Kar-wai. She is one of Southeast Asia’s greatest living stars. I can say that it’s rare to see such a well-thought-out, constructed, and heartfelt directorial debut. The film, which delves into important issues such as the condition of women in Taiwan during the 80s and 90s, crosses generational lines, and it’s a courageous work. The film didn’t fall victim to the implacable censorship that can be a problem in Chinese cinema, as Shu Qi is not Chinese herself. Yet, Girl addresses these issues without resorting to predictable provocation. It’s an impressive and daring debut: a good bet.
Taipei, 1988. Introverted teenager Hsiao-lee grows up in a joyless, silent household. Meeting the lively and carefree Li-li awakens a long-dormant desire for freedom. But her mother’s past resurfaces, mirroring her own confusion. Torn between loyalty to an inherited fate and...
