We know Ali Asgari well from his previous works. After his last participation at Venice Festival, he is back with an astonishing film addressing the themes of rejecting the regime, censorship, and ideological oppression in Iran, his home country, a nation suffering under one of the most severe religious and political dictatorships of our time. Yet, Asgari presents these heavy topics in a comedic and surreal tone, demonstrating that it’s possible to tackle serious issues with a great lightness, without sacrificing the power of the message.
Bahram is an Iranian-Azeri filmmaker marked by years of censorship and frustration: his films, shot in the northwest of the country, have never been granted permission to be screened. After yet another rejection, he decides to hop on a Vespa with his producer Sadaf and bring h...