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HARRY STYLES

HARRY STYLES

DON’T WORRY DARLING
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JUST AMANDA

JUST AMANDA

We met...Carolina Cavalli
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THE BLACK CAT

THE BLACK CAT

VENICE CLASSICS
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INNOCENCE

INNOCENCE

Orizzonti
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Close relatives

Family dynamics, friendship, and isolation as a choice: Kôji Fukada’s Love Life observes the effects of a late-in-life return of an impoverished, addled father. Martin McDonagh returns, five years after the great Three Billboards Outside Ebbing, Missouri, with The Banshees of Inisherin, starring Colin Farrell and Brendan Gleeson...
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ARGENTINA, 1985
  • Soundtrack

ARGENTINA, 1985

If cinema is a litmus test of a country’s features, we may say that the funniest country is Argentina, or at least that Argentinians can have a good laugh at their own expense. Let’s take a look at the Cohn-Duprat filmmaking duo...
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LOGO-CUFFIE-495x495
Full immersion
  • Director's Cut

Full immersion

The section grew even bigger – physically, too. It will take up every building in the Lazzaretto Vecchio island, with one section devoted to the VR market, which is a new addition. It all takes place on the island, over 2500 square metres housing impressive...
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International Critics’ Venezia 79 Movies Ratings

INTERNATIONAL CRITICS

SCREEN
INTERNATIONAL
THE HOLLYWOOD
REPORTER
THE FILM
VERDICT
Mathieu Macheret
Le Monde
BEN CROLL
THE WRAP
TOMMASO KOCH
EL PAIS
JONATHAN ROMNEY
THE OBSERVER
BARBARA HOLLENDER
rzeczpospolita
Daniel Kothenschulte
FRANKFURTER RUNDSCHAU

WHITE NOISE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

ALL THE BEAUTY...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

WHITE NOISE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

ALL THE BEAUTY...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

Cover Story

Play Video

On Screen

TO THE NORTH

THE BANSHEES OF INISHERIN

WHEN THE WAVES ARE GONE

Dreams and mirages

Mihai Mincan

Martin McDonagh

Martin McDonagh

Lav Diaz

75485-Photocall_-_WHEN_THE_WAVES_ARE_GONE_-_Director_Lav_Diaz__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_Giorgio_Zucchiatti___1_
  • Venice Immersive
lajeunesse_raphael_

Lajeunesse/Raphaël

by Riccardo Triolo
  • Focus
75245-Photocall_-_DON_T_WORRY_DARLING_-_Director_Olivia_Wilde__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_Giorgio_Zucchiatti___6_

Olivia Wilde

by Maria Casadei
DAILY#6_5settembre2022_COVER_SITO

download

press conferences

palazzo del casinò

10.30 VENICE IMMERSIVE
11.15 THE KIEV TRIAL (Out of Competition)
12.00 BIENNALE COLLEGE CINEMA
12.45 LES ENFANTS DES AUTRES (OTHER PEOPLE’S CHILDREN) (Venezia 79)
13.30 THE WHALE (Venezia 79)
14.15 L'IMMENSITÀ (Venezia 79)
15.00 MASTERCLASS by PAUL SCHRADER GOLDEN LION FOR LIFETIME ACHIEVEMENT 2022

Solo accreditati. prenotazione obbligatoria/ Press holders.only upon reservation

VENEZIA 79 CONCORSO

LOVE LIFE
Kôji Fukada
( 123
THE BANSHEES OF INISHERIN
Martin McDonagh
( 109

OUT OF COMPETITION

DON’T WORRY DARLING
Olivia Wilde
( 123
IN VIAGGIO
Gianfranco Rosi
( 80
WHEN THE WAVES ARE GONE
Lav Diaz
( 187

ORIZZONTI

INNOCENCE
Guy Davidi
( 100
TO THE NORTH
Mihai Mincan
( 122

ORIZZONTI EXTRA

AMANDA
Carolina Cavalli
( 93

VENICE CLASSICS

BRANDED TO KILL
Seijun Suzuki
( 92
GODARD SEUL LE CINÉMA
Cyril Leuthy
( 100
THE BLACK CAT
Edgar G. Ulmer
( 65

CRITICS' WEEK

SKIN DEEP
Alex Schaad
( 103

VENICE DAYS

LOBO E CÃO
Cláudia Varejão
( 111
ORDINARY FAILURES
Cristina Groşan
( 84

past conferences

Emanuele Crialese
I think that the best part of being a man is being a woman 

Emanuele Crialese

Venezia News
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