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ITALY IS MORE SURREALIST THAN THE POPE

Surrealism in Italy: Conference Celebrating the Centenary of the Manifesto of Surrealism
17 October 2024

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18 October 2024

Marking the centenary of the publication of the Manifesto of Surrealism, the conference “Italy is More Surrealist than the Pope” (Salvador Dalí, 1935) aims to explore the significance of Italy for international Surrealism from the 1920s through to the post-World War II period. Although we cannot speak of an Italian Surrealist school, some Italian artists, such as Paolo Uccello (1397–1475), Piero di Cosimo (1462–1522), and Giorgio de Chirico (1888–1978), were of great inspiration to the movement’s poetics at large, while others, such as Enrico Baj (1924–2003), produced art works that coincided with Surrealist themes. Besides, artists such as Leonora Carrington (1917–2011), Salvador Dalí (1904–89), Leonor Fini (1907–96), Edward James (1907–84), Manina (1918–2010), Matta (1911–2002), Kay Sage (1898–1963), and Pavel Tchelitchew (1898–1957), were affected by Italian art and culture in diverse ways. Some of them were inspired by Italian art, while others lived in Italy for varied periods of time and were influenced by experiences here. The conference will explore their life and work by analyzing individual case studies from both pre- and postwar periods, overturning the marginal role attributed to Italy in the development of Surrealism.
Among other themes, the conference will also examine Surrealist environments and architecture in Italy, as well as the wider international context of museums, galleries, and private collectors. Last but not least, it will shed light on how Surrealism was at the center of discussions in the intellectual circles in Italy through journals and exhibitions. “Italy is More Surrealist than the Pope” will provide an unparalleled opportunity to reevaluate Surrealism and its relation to Italy through an analytical study of Italy’s cultural framework, and to present innovative arguments aimed at mapping and unearthing the lesser known, but critical themes and perspectives.

The conference is open to the public.
Spaces are allocated on a first come first served basis.
Simultaneous translation will be provided.

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