Opera-installation in a nutshell; What happens if we look back to the beginning of the opera and try to recombine different fields of arts such as installation art, performative arts, and technology? What happens if we look at the very meaning of the word “opera”, which in Italian means “work” and understand it as work with sound, work about sound, work through sound…?
Finally, what happens if we go back to the very origins of the genre and see opera not as an exclusive, prestigious event, but more as a social gathering, where people come to spend time together, participate and be in sound?