This young American composer examined several organs before she picked the one at the San Pietro di Castello Church, in Venice, built by Piatro Nacchini in the mid-1700s. Malone stopped in Venice to further her artistic research according to her principles. Her interests in ambient music and post-minimalism have been enriched by her studies on the architectural and social significance of the Venetian church and on the relevance of its spaces, designed for musical interaction. The organ, Lucy Railton’s cello, and Stephen O’Malley’s acoustic guitar are the elements of Malone’s homage to the mystery of the Holy Trinity, an homage of slow, harmonic sound streams, longing for the infinite dimension music aspires to.
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