The façade of Ca’ da Mosto becomes the surface for a temporary monumental installation inspired by Paolo Veronese’s The Wedding at Cana – a painting now in the Louvre and originally created for the monastery of San Giorgio Maggiore in Venice.
JR brings the famous 1563 painting into the present as a contemporary fresco: a living organism built around 176 people – guests, volunteers and chefs – connected to the Refettorio Paris community, who were photographed and recorded to form a collective composition, transforming the table into a metaphor for equality