Landscapes that belong not only to Brazil but to an inner dimension made of silences, pauses, and rarefied light: the canvases of Patricia Leite (b. 1955), in a solo exhibition curated by Milovan Farronato, do not depict places: they dream of them. A vertical waterfall becomes a thought that slowly descends; a cave opens as a shelter to observe the world from afar; fireworks tremble on the water like blurred memories. At Palazzetto Tito, Leite’s painting settles delicately, allowing each image to become a threshold, a breath, a slowing down of time.