Born in Paris in 1956, Patrick Mimran is a multidisciplinary artist. Thirty unpublished photographs offer an overview of his photographic research focused on the lack of sharpness in the entire image. If the photographic tool was designed to represent reality as it is, Mimran seems to use it in reverse. For the artist, the best way to capture a subject, living or inanimate, is not to represent it as faithfully as possible, but to distance oneself from it until abstraction.
