
82. Venice Film Festival

81. Venice Film Festival

80. Venice Film Festival

79. Venice Film Festival

The Biennale Arte Guide
Foreigners Everywhere

The Biennale Arte Guide
Foreigners Everywhere

The Biennale Architecture Guide
The Laboratory of the Future

The Biennale Arte Guide
Il latte dei sogni

21 giugno 2025

22 giugno 2024

17 giugno 2023

18 giugno 2022
Living sculptures, fluid monuments, and sensitive archaeologies lie at the heart of the National Participations’ projects for the 61st International Art Exhibition of the Venice Biennale – In Minor Keys, taking place from 9 May to 22 November.
Some previews of the projects of the National Participations reveal a landscape of practices that challenge dominant narratives and reshape identities, communities, and territories. They are the first signs in minor keys of the upcoming Venice Art Biennale.

Dana Awartani, a Saudi artist of Palestinian origin, explores fragility, memory and the resilience of cultural heritage, reworking forms and meanings through references to destroyed hammams and mosque floors. The project is curated by Antonia Carver (Art Jameel) with Hafsa Alkhudairi.

After presenting After All Springville at Biennale Teatro 2024, Miet Warlop will turn the Belgium Pavilion at the upcoming Biennale Arte into a “living, sonic” sculpture inviting a collective dance. It Never SSST is supported by KANAL-Centre Pompidou and curated by Caroline Dumalin.

Rosana Paulino and Adriana Varejão, two of Brazil’s leading contemporary artists, will occupy the Giardini Pavilion under the curatorship of Diane Lima, a key voice in decolonial discourse. Through installations, textiles, and ceramics, they will transform historical wounds into poetic language and collective acts of resistance.

Provisionally titled Liberation Space, the South Korean project by Binna Choi with artists Goen Choi and Hyeree Ro reimagines the Pavilion as a living monument – a fortress and a nest. Through material-body dialogues, it explores social tensions, memory, mobility and solidarity, proposing a fluid space of care and shared imagination.

With Georgina Jackson’s curatorship for The Douglas Hyde Gallery, Isabel Nolan will represent Ireland with a practice spanning sculpture, textiles, painting, photography, writing, and drawing. Rooted in vast themes – cosmology, deep history, myth, spirituality, mortality, love – her works seek to make sense of the world, revealing the complexity of human experience through potent images such as surging waves and dying suns.

Visual artist and theatre maker Dries Verhoeven will turn the Rietveld-designed Pavilion into an emotional surveillance organism capturing social fragilities and political tensions. With curator Rieke Vos, The Fortress will make Europe’s widespread uncertainty tangible within the Biennale’s “safe space.”