Tina Gillen’s art lies midway between abstraction and figuration. It draws our attention to the relationship between painting and the exhibition context, where art meets the viewer. Her works are placed in a set that looks like a film studio, highlighting its temporary nature, almost looking as if the art was to be moved elsewhere soon. At the centre of the exhibition space, a sculpture invites visitors to change their point of view on the world and use art as a tool to understand reality.
