A three-channel video work transforms the space into a speculative stage where history, fantasy, and ideology overlap. Genti Korini weaves together painting, images in motion, and photography through the Zaum language, developed by Russian Futurist poets in the early 20th century to disrupt the established order. What emerges is a portrait of Albania as a romanticized frontier, itself a stage where everything can be redefined and no destiny appears predetermined or shaped by preconceptions.