CROATIA

Lošić presents a site-specific installation that reorganizes cycles he developed over four decades, adapting them to the spatial and semantic characteristics of the site. The exhibition unfolds from the courtyard to the piano nobile, juxtaposing corroded iron and bronze shapes with wooden and fabric elements, through a hybrid, theatrical language that weaves together modern and traditional references. Amid tensions and metamorphoses, matter reveals itself as an active field in which freedom and independence take shape.

Featured image: Dubravka Losic, from Alba Albula Cycle, 2019, mixed media, detail – Photo Veronica Arevalo © NMMU