DENMARK

Starting from studies linking virtual erotic stimuli and male fertility, the artist reflects on reproductive decline as a metaphor for a broader cultural collapse. In an immersive film environment, science, fiction, and pornography converge into a system of images that does not only represent the world, but can actually transform it, conceiving images  as affective and material technologies that act upon bodies, desires, and possibilities of a future. Sperm is matter, and so is the hyper-feminine visual register of the film.

Featured image: Solo Overgaden, 2024 © David Stjernholm