HAITI

The installation unfolds as a space of passage and relation in which painting, moving image, and interaction redefine the relationship between the visible and the invisible. Rectangular and circular canvases, a double-sided painted panel, a glass sphere, and a video are arranged in an open, unstable geometry that rejects any privileged viewpoint. Visitors are invited to move through the space and alter the configuration, generating ever-changing constellations. Between everyday phenomena and a cosmic dimension, the work establishes a perceptual field in which meaning gradually reveals itself, orienting the experience toward a relational, non-hierarchical dimension.

Featured image: Yelena’s Garden, 2025–2026, installation view (detail) – Photo Dimitry Placide, courtesy of the artist