The title of the installation draws inspiration from Four Quartets by T. S. Eliot, a collection of poems exploring the cyclical nature of time and its effects on the human condition. A similar reflection runs through the video works by the participating artists, projected onto the façade of Palazzo Nervi Scattolin in Campo Manin, one of the few examples of modernist architecture in Venice – a context that significantly reshapes the conditions of viewing and reception.
Featured image: Kandis Williams, A Travel Guide: Black Gothic in South Korean Horror, 2025 – Courtesy the Artist © Kandis Williams