Amina Agueznay, who for over twenty years has developed a practice rooted in Moroccan vernacular knowledge and traditions, turns the space into a sequence of thresholds and ritual weavings. Visitors move through layers of memory and ancestral gestures, encountering weavings, spirals, and stitches that preserve and pass on shared forms of knowledge. Each surface presents itself as a sign to be read, within an ongoing dialogue between matter, body, and memory, where manual creation emerges as a living practice of transmission and recognition.