A screening introduces the visitor to the visual imaginary of Mark Francis, a painter active since the 1990s in the field of abstraction, whose practice explores the relationships between painting, sound, and science. The exhibition continues in another room, which brings together previously unseen large-scale paintings. Between image and frequency, painting thus shapes a perceptual field in which vision and hearing intertwine, evoking the dimension of continuous vibrations in which we are immersed.
Oscillator I & II, 2025 –Â Photo Ian Skelton Photography –Â Copyright and Courtesy of Mark Francis