SCOTLAND + VENICE: BUGARIN + CASTLE

Architecture, motion pictures, sculpture, and performance converge into a contemporary language used by the artists to re-examine ancient rituals of humiliation and public processions, where spectacle, sound, and costume were used to discipline social offenders. Within a discourse that is both artistic and deeply political, lesbian and queer perspectives intersect with diasporic trajectories linked to the Philippines, expanding a reflection that traces these practices from the 14th century to the present day. What emerges is a sociology in constant motion, one that continually rewrites the forms of representation and control.