A new site-specific work by Li Yi-Fan takes over the whole space of Palazzo delle Prigioni, transforming it into a dynamic stage where the boundaries between reality and virtuality dissolve along a pathway punctuated by large-scale sculptures and puppet-like figures emerging from the videos. Working with painting, animation, game engines, and AI-generated imagery, Li investigates how screens mediate perception and self-narration in an age of information overload.