ZIMBABWE

Neuroplasticity – the brain’s ability to reorganize itself through change – becomes a metaphor for exploring how identities, histories, and societies are continuously reshaped. Five Zimbabwean artists work with installations, cardboard prints, stone and metal sculptures, and textiles made from plastic bottles and reclaimed materials. At the core lies an urgent question: what remains of the human when the machine becomes second nature? Where does imagination end and programming begin?