(2025, Iran, 112')
“A quiet meditation on the emotional distance between staying and leaving”: this is how Amir Azizi describes his film set in Iran, born from a desire to express a personal experience through the universal language of cinema. It’s an inner journey through past, present, and future built with memories, slow walks, conversations, anxieties, and uncertainties. The story follows a man on the verge of leaving his country. Tara, his emigrated girlfriend, represents salvation, while his bicycle symbolizes his love for Tehran.