Bahram is an Iranian-Azeri filmmaker marked by years of censorship and frustration: his films, shot in the northwest of the country, have never been granted permission to be screened. After yet another rejection, he decides to hop on a Vespa with his producer Sadaf and bring his work directly to the audience. Their journey unfolds through absurd bureaucracy, clandestine deals, and a reality that grows increasingly surreal, culminating in an unexpected finale. With Divine Comedy, Ali Asgari returns to Venice to portray, with irony and elegance, the contradictions of contemporary Iran, offering a powerful indictment of a system paralyzed by draconian rules.