World War II and the Holocaust are among the most represented events in the history of cinema. With over three thousand fragments drawn from audiovisual works on the Shoah, produced from 1938 to today, Michal Kosakowski reconstructs how cinema has shaped – and at times distorted – this collective imagery. Inspired by documentary filmmaker Claude Lanzmann’s skepticism toward the visual representation of historical trauma, the film reflects on the echo of tragedy and on the very value of representation. The result is an experimental silent work, accompanied by an original score by Paolo Marzocchi, weaving the visual fragments into a hypnotic, intense, and paradoxical atmosphere.