DOMENICO GNOLI

1933, Rome, Italy
1970, New York City, USA

In Gnoli’s paintings, enlarged images of details, even the most seemingly banal ones like the knot of a tie, the heels of a woman’s shoes or a button in a buttonhole, become emblems of a subtle elegy to everyday life: the synecdoche, the detail expressing the whole, the complexity of life in the glorification of simple pop imagery. His compelling images are the forewords to stories each viewer must invent for themselves.

MAGAZINE

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