On a stage, inside a museum or through video installations and photographs, Joshua Serafin’s choreographies aim to demolish the feudal and patriarchal instances of Philippine society to reflect on the concepts of identity, politics and queer representation. Serafin’s dance performances, which the artist developed during choreography studies carried out in Hong Kong and Belgium to investigate states of being and the different ways of inhabiting the body, are a true sociological exorcism that strikes at the heart of the pillars of their native culture.
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