Leopold Strobl’s creative process is unchanging: he chooses something in a newspaper, a photograph or a drawing, and draws over it with coloured pencils, focusing mainly on the black areas. Next comes the sky, which is always green. And to conclude, he defines the line between black and sky. Once the image has been reworked, he pastes it onto a sheet of drawing paper and signs it, without a title, in pencil with his personal symbol: his name is a heart containing a cross emanating rays.
