In the 1960s, one of the protagonists of the Non-Aligned Movement was Yugoslavia, a country that provided aid and architects to developing nations in the global south. A prime example is the Lagos International Trade Fair, designed by Zoran Bojović in the 1970s, once the symbol of a new national identity and an autonomous future for Nigeria. The exhibition explores the building, identified as an urban, social, architectural, and ecological project that reflects the aspirations and contradictions of a historic time of social change for the African country.