• thursday, 31 august 2023

High concentration

In the Competition, there is an exceptional concentration of great auteurs: Wes Anderson, Harmony Korine, Sofia Coppola, David Fincher, Michel Franco, Lanthimos, Larraín, Michael Mann, and Luc Besson. They are all directors to be counted among the most important in today’s cinema landscape. There are some intriguing surprises among them, including the presence of Besson, who isn’t precisely a regular at major film festivals. The film he has created and is presenting here at the Lido, Dogman, pleasantly caught me off guard. On one hand, it is an action film, as he has always accustomed us to, but on the other hand, it is an ambitious and intricate work capable of surprising and shifting through multiple registers. With the Australian actor Caleb Landry Jones in the lead role, who delivers truly astonishing performances, it’s truly a monumental interpretation

 

    • friday, 8 september 2023
    Kobieta Z… (Woman of) by Małgorzata Szumowska and Michał Englert is truly courageous precisely because it revolves around Poland. However, it is not a militant or declaratory film; it is more like a melodrama that prioritizes the feelings, frustrations, desires...
      • thursday, 7 september 2023
      There is a strong sense of pride in being the first in the world to have created an event that did not exist before, and in continuing throughout our history to introduce innovations and structural changes that have been imitated by others. Venice has always set the pace in terms of research, a living laboratory...
        • wednesday, 6 september 2023
        There are six Italian films in the main competition. There had not been this many since 1982. It happened because something changed in the Italian movie industry, and the change was mostly driven by investments. We were used of thinking of Italian production as needing a budget around €8-9m...
          • tuesday, 5 september 2023
          The section Venice Classics has grown into a way for classic cinema to reach younger audiences, who are today the majority of the VFF’s attendees and who never had the chance to see these films properly. They probably watched some degraded version on YouTube—we can barely call that ‘watching a movie’. We want these younger generations to understand the importance and the beauty...
            • monday, 4 september 2023
            I was on the set of The Caine Mutiny: Court-Martial in February. Friedkin was shooting in a wheelchair due to circulatory...
              • monday, 4 september 2023
              No one knew that Hamaguchi was making a new film. He submitted it to the festival without informing us; we discovered it by chance...
                • sunday, 3 september 2023
                There are many different reasons behind this strike. The first one is obviously a demand for higher pay– not for the great movie stars, but for all workers who keep cinema alive as an industry...
                  • saturday, 2 september 2023
                  There are truly many anecdotes and significant moments that fill my memory, first as a passionate attendee of the festival and then as its director. It’s so hard to pick just one! The one experience that changed me the most took place during my first year in Venice. Up to that point, I had been working on a smaller indie cinema festival...
                    • friday, 1 september 2023
                    As for the Orizzonti section, we are in the territories of experimentation, traversed by authors with undeniable talent, directors who are clearly aware of what they are doing, what they truly want, and what they are genuinely seeking...
                      • thursday, 31 august 2023
                      In the Competition, there is an exceptional concentration of great auteurs: Wes Anderson, Harmony Korine, Sofia Coppola, David Fincher, Michel Franco, Lanthimos, Larraín, Michael Mann, and Luc Besson...
                        • wednesday, 30 august 2023
                        We worked on our programme back when the strike wasn’t a thing. In fact, we finished our work two weeks ahead of schedule. We started viewing films in November 2022 and we never stopped...
                        Screenshot-2023-09-07-alle-16.07
                        Enzo Jannacci
                        limelight-495x495
                        Survivors
                        Sic(3)
                        38. Sic Awards
                        #10_la-sociedad-de-la-nieve
                        Pablo Vierci
                        PICCOLA STORIA
                        Orizzonti in Short Reloaded
                        83951-RED_CARPET_-_AKU_WA_SONZAI_SHINAI__EVIL_DOES_NOT_EXIST__-_Director_Ryusuke_Hamaguchi__Credits_Andrea_Avezz___La_Biennale_di_Venezia_-_Foto_ASAC___2_
                        Hamaguchi's Gaze
                        #10_VS_Assommoir-zola
                        Emile Zola

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