Images coming from cinema, TV, and advertisement, the merchandise that is proper of consumerist society and the new mass and social media-created idols are the protagonists of a new figurative expression that belongs to the world of ‘historic’ pop art. The outcome: a new contemporary that is just as pop, colourful and hyperrealist, and one that will reconcile short-lived reality and image with the language of art in its most advanced forms of expression. Two exclusive examples, though very different from one another, are the sculptures by Carole Feuerman and by Richard Orlinski.
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