In his art, Vietnamese artist Huong Dodinh questions the concepts of light and line using a unique, personal technique – layered painting and geometrical shapes – thus gifting the canvas with a sense of depth and density that reveal evanescent brightness. In Ascension, the artist took possession of space by designing an installation using fourteen paintings, each three-metre tall, placed in a triangular pattern around a wooden sculpture, a Madonna della Misericordia from the fifteenth century. We are invited to enter the heart of the art.
