Ewa Kuryuluk (1946) is a peak exponent of Polish hyperrealism. She is an award-winning author and poet and, most importantly, a pioneer of textile art installation. She has been using this material since the late 1970s to express, in an individual and peculiar fashion, her own body, by preserving its story in a short-living installation made with scraps of raw cotton, silk reels, time, and air. The title of the exhibition comes from a 1979 installation, a manifesto for the self-identification of the artist as a member of a community that recognizes no genres.
