The starting point of the exhibition is to enhance a reflection on the restrictions imposed by the pandemic and on the suspension of collective and individual time that has characterized the pandemic two-year period, questioning the relationship between human, time and matter. The artist’s intervention is aimed at deconstructing, shaping, molding, sculpting, painting the material put aside or discarded with the intention of bringing it back to poetic life and to a new moral relationship with the human. Individual time is slowed down to the advantage of collective time, which becomes an instrument of knowledge in a daily life that is often absent and superficial.
