The 100 kilometers that separate the sea coast from Mount Jade (Yu Shan), the highest peak in Taiwan, pass through fourteen climatic types, which on a global scale would normally be distributed over an area of ​​10,000 kilometers. Yet, Taiwanese large buildings seem to be trapped in concrete everywhere in the same way, unable to dialogue with such a diverse, hard-to-domesticate environment. Freeing itself from postcolonial, global and postmodern descriptive methods, the exhibition develops on four different levels (entrance corridor, landscape documentation, projections, design proposals), articulating in each of them a strong experimental and dynamic vocation for an architecture that uses technology and the lessons of the past to face the future.
