JAIDER ESBELL

1979, Normandia, Brazil
2021, São Sebastião, Brazil

Recently deceased artist/activist Jaider Esbell used installation and mixed media art to draw attention to the clash of cultures between capitalist society and the native people of the Americas. A member of the Macuxi people himself, Esbell’s painting production draws from pre-European stock both in technique and themes, which compounds with the fact that the author had no formal training in art but is rather a former student of geography.

SIGNS

  • Centre Georges Pompidou, permanent collection, Paris, France
  • Entidades, 34th Bienal de São Paulo, Brazil, 2021
  • Carta dos Povos Indígenas ao Capitalismo, performance, Geneva, Switzerland, 2019
MAGAZINE
The Bag 2022

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