JAIDER ESBELL

1979, Normandia, Brazil
2021, São Sebastião, Brazil

Recently deceased artist/activist Jaider Esbell used installation and mixed media art to draw attention to the clash of cultures between capitalist society and the native people of the Americas. A member of the Macuxi people himself, Esbell’s painting production draws from pre-European stock both in technique and themes, which compounds with the fact that the author had no formal training in art but is rather a former student of geography.

SIGNS

  • Centre Georges Pompidou, permanent collection, Paris, France
  • Entidades, 34th Bienal de São Paulo, Brazil, 2021
  • Carta dos Povos Indígenas ao Capitalismo, performance, Geneva, Switzerland, 2019
MAGAZINE
The Bag 2022

VeNewsletter

Ogni settimana

il meglio della programmazione culturale
di Venezia

VeNewsletter

Ogni settimana

il meglio della programmazione culturale
di Venezia