The Brazilian artist makes visual poetry, a language whose origin dates back to the Brazilian Concrete Poetry movement in the 1950s. Words and images are essential in her art, and the exploration of language takes place in diverse media such as video, performance, photography, and sound installation, as in Deve Haver Nada a Ver, which in 2001 earned her an award at the first RioArte exhibition at the Museum of Modern Art in Rio de Janeiro.