Andrei Tarkovsky

by Andrea Zennaro
  • monday, 4 september 2023

To talk about Tarkovsky, his poetic cinema, his sculpting of time, his ideas on science fiction, his hate for any unnecessary technological addition in filmmaking… is not easy.
When his Solaris (1972) came out, it was advertised as a Russian answer to 2001, but the two films couldn’t be more different. If a comparison with Kubrick must be made, it should be made with Shining (1980) – that’s where Tarkovsky’s influence appears. Tarkovsky’s refusal of any extra technological piece of scenography will bring him to make a movie such as Stalker (1979), again a science fiction piece, showing a post-apocalyptic scenery that we cannot make any sense of.
Throughout his career, the Russian filmmaker preferred anti-narrational cinema, employing sceneries and atmosphere his audience could immerse in and could be taken into a unique artistic experience. His Mirror (1975) is a perfect example: in it, all rules of filmmaking are invalidated, and the characters’ memories all mix up with real life.
Italy was a second fatherland to Tarkovsky. He spent his last years in the country. He and Tonino Guerra made Nostalghia (1983), a film of autobiographical taste.

ANDREJ RUBLEV – DIRECTOR’S CUT

ANDREJ RUBLEV – DIRECTOR’S CUT

Tarkovksy once commented on this version of his movie: “I maintain that this last version is the best, the one that came out better than the others. We cut needless scenes that had no real meaning and reduced some brutal scenes to induce a sort of psychological shock in our ...

READ

ANDREJ RUBLEV – DIRECTOR’S CUT

ANDREJ RUBLEV – DIRECTOR’S CUT

Tarkovksy once commented on this version of his movie: “I maintain that this last version is the best, the one that came out better than the others. We cut needless scenes that had no real meaning and reduced some brutal scen...

READ
Andrej’s five
Screenshot-2023-09-07-alle-16.07
Enzo Jannacci
BARBERA_2023-500
Becoming what we are
limelight-495x495
Survivors
Sic(3)
38. Sic Awards
#10_la-sociedad-de-la-nieve
Pablo Vierci
PICCOLA STORIA
Orizzonti in Short Reloaded
83951-RED_CARPET_-_AKU_WA_SONZAI_SHINAI__EVIL_DOES_NOT_EXIST__-_Director_Ryusuke_Hamaguchi__Credits_Andrea_Avezz___La_Biennale_di_Venezia_-_Foto_ASAC___2_
Hamaguchi's Gaze
#10_VS_Assommoir-zola
Emile Zola
81Zr9OuylGL
Priscilla Presley
polanski
Roman Polanski

Sign up to our newsletter

You will receive the Daily 2023, the official magazine of the 80 Venice Film Festival on a daily basis

I authorize the processing of my data for sending the VeneziaNews newsletters. Read the complete information here