limelight-100x100-1.jpeg

imelight

  • friday, 8 september 2023

Survivors

by Riccardo Triolo

Transitions and unexpected changes are at the heart of the last three titles in Competition. Kobieta Z… (Woman of), by the Polish filmmakers Małgorzata Szumowska and Michał Englert, is the painful story of a father who day after day experiences more discomfort with his identity.
In Hors-saison by Stéphane Brizé, Guillaume Canet and Alba Rohrwacher play a couple who coincidentally find themselves at a spa years after their separation. Lastly, Memory by the Mexican director Michel Franco tells another intimate story of life-changing encounters, featuring Jessica Chastain and Peter Sarsgaard. The Orizzonti competition concludes with Fidel Devkota‘s Nepal (The Red Suitcase) and Simone Massi‘s animated film (Invelle). The grand finale is on Saturday, September 9, with the tale of extreme survival in La sociedad de la nieve by J.A. Bayona.

All the photocalls' Daily pick
Transitions and unexpected changes are at the heart of the last three titles in Competition. Kobieta Z... (Woman of), by the Polish filmmakers Małgorzata Szumowska and Michał Englert, is the painful story of a father who day after day experiences more discomfort with his identity. In Hors-saison by Stéphane Brizé, Guillaume Canet and Alba Rohrwacher play a couple who coincidentally find themselves at a spa years after their separation...
A kind of magical realism opens the Competition. Holly, by Belgian director Fien Troch, tells the story of a teenager with unique premonitory and beneficial powers. With Paradise Is Burning, Mika Gustafson follows the struggles of three sisters abandoned by their mother. Adolescence is also the main topic explored in Gasoline Rainbow by Bill and Turner Ross, where a group of five teenagers embarks on a great escape in a van...
In the competition today, Matteo Garrone’s Me Captain, the highly anticipated epic of Seydou Sarr and Moustapha Fall, two friends who leave Dakar, cross the desert, survive the Libyan hell, and finally embark for Europe. Ava DuVernay follows with Origin, based on Caste: The Origins of Our Discontents by Pulitzer Prize winner Isabel Wilkerson...
With Enea, Pietro Castellitto embarks on an ambitious film, a story of friendship and downfall. Shot semi-covertly, Green Border by Agnieszka Holland portrays the conditions of refugees in the forest on the border between Poland and Belarus. Richard Linklater's Hit Man delves into the story of Gary Johnson, an undercover investigator for the police. A visionary and true maverick director, Shinya Tsukamoto, returns to the consequences of war with Shadow of Fire...
Woody Allen brings his Parisian and Francophone film Coup de chance to the Lido, a bourgeois drama starring Niels Schneider and Lou de Laâge; cinematography by Vittorio Storaro. The story revolves around a young couple threatened by the presence of a charming bohemian writer. Another bourgeois drama with much more dramatic atmospheres is Sofia Coppola's Priscilla (Competition), which tells the turbulent love story and betrayals of Elvis Presley (Jacob Elordi) and his wife Priscilla (Cailee Spaeny)...
David Fincher, the brilliant and restless leader of post-Hollywood, returns to the Venice Competition with The Killer, a dark psychological thriller adapted from the graphic novel by Matz and Jacamon. In an eerie future, the French director Bertrand Bonello explores the dystopian world of La Bête, where Léa Seydoux pursues her own past in a society that fears emotions. In the German film Die Theorie von Allem by Timm Kröger, a scientist from the 1960s must face a genuine nightmare...
In Maestro, Bradley Cooper directs and plays the life of Leonard Bernstein, the most iconic, outgoing, and multifaceted musical personality of the 20th century, with a focus on his tumultuous relationship with his wife, Felicia (Carey Mulligan). A completely different tune is that of Texan rapper Travis Scott, the idol of young crowds, co-starring in AGGRO DR1FT, an experimental and neo-psychedelic immersion in a noir style by Harmony Korine, already a maverick in the American landscape...
A special, very-Italian day, starring youth trying to make their space in the world. In Competition, Saverio Costanzo presents Finally Dawn, a raw, piercing look on 1950s Cinecittà. A story of foiled aspirations and delicate equilibriums are all about An Endless Sunday (Orizzonti) by Alain Parroni, while in the Orizzonti Extra section, we will appreciate Micaela Ramazzotti’s directorial debut with Happiness, a story of emancipation for a brother and sister oppressed by their parents. Add to this the Biennale College’s entry, The Year of the Egg by debutant Claudio Casale.
A creator and a destructor – two lives, compared. In the main competition, we will today watch Ferrari by Michael Mann, starring an unrecognizable Adam Driver in the role of the car racing legend, and El Conde by Pablo Larraín, a grotesque horror variation on the difficult history of Chile, seeing Augusto Pinochet transforming into himself: a bloodthirsty vampire. But keep an eye on Dogman too, it marks Luc Besson's return to his typical adrenaline-fueled and hyperbolic style with the portrayal of a marginalized man in tight and vengeful communication with his loyal dogs.
A past that speaks to the present and a present that fears the future. This is the story of Salvatore Todaro, the commander of the submarine “Cappellini”, who in 1940 sank an armed enemy merchant ship in the Atlantic. Todaro then rescued the shipwrecked crew and, in accordance with the laws of the sea and at great risk, brought them to a safe harbor. The opening film, Comandante by Edoardo De Angelis, starring Pierfrancesco Favino, now holds an ethical significance that needs no emphasis.
by Małgorzata Szumowska, Michał Englert

Covering a temporal span of forty-five years, the film follows the story (partly a real story) of Adam. Adam lives in...

READ
by Stéphane Brizé

Fifty-year-old actor Laurent and forty-year-old pianist Hélène reunite fifteen years after the end of their relatio...

READ
by Michel Franco

Sylvia is a social worker with a simple, uneventful life: a daughter, her job, her AA meetings. Her tranquil existenc...

READ
by Fidel Devkota

In Fidel Devkota’s thriller, which explores the consequences of foreign occupation on Nepalese society, a truck dri...

READ
by Simone Massi

Set in three different historical moments, Invelle is the story of 20th-century Italy seen through the eyes ...

READ
by Anna Buryachkova

Abused by her boyfriend, the timid Tonya arrives at her new school seeking refuge in new friendships but ends up join...

READ
by J.A. Bayona

On October 13, 1972, flight 571 of the Uruguayan Air Force crashed on the Andes as it was carrying a football team to...

READ
Screenshot-2023-09-07-alle-16.07
Enzo Jannacci
BARBERA_2023-500
Becoming what we are
Sic(3)
38. Sic Awards
#10_la-sociedad-de-la-nieve
Pablo Vierci
PICCOLA STORIA
Orizzonti in Short Reloaded
83951-RED_CARPET_-_AKU_WA_SONZAI_SHINAI__EVIL_DOES_NOT_EXIST__-_Director_Ryusuke_Hamaguchi__Credits_Andrea_Avezz___La_Biennale_di_Venezia_-_Foto_ASAC___2_
Hamaguchi's Gaze
#10_VS_Assommoir-zola
Emile Zola

VeNewsletter

Ogni settimana

il meglio della programmazione culturale
di Venezia