Estonia, with its considerable legacy of economically built Soviet prefabricated buildings, questions the true scope of national renovations: mere bureaucratic compliance with European energy targets or genuine architectural redevelopment? The installation at the Pavilion, involving the cladding of the façade of the building on Riva dei Sette Martiri with insulating panels using techniques similar to those in Estonia, highlights the visual contrast with the surrounding historical context, prompting a reflection on the social dynamics underlying urban redevelopment choices.