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Sardegna 2012-2022

Sardegna 2012-2022

an unrivaled Film Commission
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TILDA SWINTON

TILDA SWINTON

FOCUS
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EN LOS MÁRGENES

EN LOS MÁRGENES

ORIZZONTI
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TERESA THE THIEF

TERESA THE THIEF

VENICE CLASSICS
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Poised lives

The outlook on Italian cinema grows wider thanks to Gianni Amelio’s Il signore delle formiche, inspired by a real criminal case mounted against a homosexual professor in 1960s Italy, accused of ‘brainwashing’ youth. Joana Hogg worked on a recurrent theme at the Festival: mother-daughter relationships, in the shape of a disquieting ghost story: The Eternal Daughter...
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LOGO-CUFFIE-495x495
In the absence
  • Director's Cut

In the absence

The absence of China, save for a couple entries, is certainly conspicuous. The main reason, aside from the pandemic, is censorship. It may be sly, underhanded, but it is strong. Unwanted filmmakers are prevented from obtaining the necessary funds to...
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International Critics’ Venezia 79 Movies Ratings

INTERNATIONAL CRITICS

SCREEN
INTERNATIONAL
THE HOLLYWOOD
REPORTER
THE FILM
VERDICT
Mathieu Macheret
Le Monde
BEN CROLL
THE WRAP
TOMMASO KOCH
EL PAIS
JONATHAN ROMNEY
THE OBSERVER
BARBARA HOLLENDER
rzeczpospolita
Daniel Kothenschulte
FRANKFURTER RUNDSCHAU

WHITE NOISE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

ALL THE BEAUTY...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

LOVE LIFE

☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5

THE BANSHEES...

☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

WHITE NOISE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

ALL THE BEAUTY...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

LOVE
LIFE

☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5

THE BANSHEES OF...

☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5

Cover Story

Play Video

On Screen

VICTIM

ON THE FRINGE

WITHOUT HER

Kim Ki-Duk

Kim-Ki-duk

Walter Hill

76230-Photocall_-_DEAD_FOR_A_DOLLAR_-_Director_Walter_Hill__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_G._Zucchiatti___3_

Gianni Amelio

76194-Photocall_-_IL_SIGNORE_DELLE_FORMICHE__LORD_OF_THE_ANTS__-_Director_Gianni_Amelio__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_G._Z.___1_
  • Highlights
Il_signore_delle_formiche_2022

Guilty of “brainwashing”

by F.D.S.
Gianni Amelio looks back at the Braibanti Case
  • Venice Immersive
71493-REIMAGINED_VOLUME_I_NYSSA_-_Official_still

Julie Cavaliere

by Riccardo Triolo
A Virtual Reality adaptations of an old fairy tales
  • Highlights
venezia-79-spaccaossa

A treasured island

by Mariachiara Marzari
Spaccaossa by Vincenzo Pirrotta makes its debut at the Venetian Nights
  • Highlights
75179-DULI_SHIDAI__A_CONFUCIAN_CONFUSION__-_Official_Still__4_

A confucian confusion

by Redazione VeNews
Edward Yang's classic revived in restoration by Kailidoscope Pictures
  • Highlights
74710-MUSIC_FOR_BLACK_PIGEONS_-_Official_Still__4_

The art of improvisation

by Giuseppe Mormile
Jazz and the fascination of indeterminacy
  • Highlights
Sardegna4

Buon Compleanno FSFC

by Redazione VeNews
10 anni e mille diversi sguardi sulla Sardegna
DAILY#7_6settembre2022_COVER_SITO

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press conferences

palazzo del casinò

9.00 MASTERCLASS CARTIER ART DIALOGUES “COMPOSING FOR THE CINEMA”
12.15 MUSIC FOR BLACK PIGEONS (Out of Competition)
13.00 THE ETERNAL DAUGHTER (Venezia 79)
13.45 IL SIGNORE DELLE FORMICHE (Venezia 79)
14.30 DEAD FOR A DOLLAR and “PREMIO CARTIER GLORY TO THE FILMMAKER 2022” to WALTER HILL (Out of Competition)

Solo accreditati. prenotazione obbligatoria/ Press holders.only upon reservation

VENEZIA 79 CONCORSO

IL SIGNORE DELLE FORMICHE
Gianni Amelio
( 134
THE ETERNAL DAUGHTER
Joanna Hogg
( 96

OUT OF COMPETITION

CALL OF GOD
Kim Ki-duk
( 81
DEAD FOR A DOLLAR
Walter Hill
( 114
MUSIC FOR BLACK PIGEONS
Jørgen Leth e Andreas Koefoed
( 90

ORIZZONTI

ON THE FRINGE
Juan Diego Botto
( 105
VICTIM
Michal Blaško
( 91

ORIZZONTI EXTRA

WITHOUT HER
Arian Vazirdaftari
( 111

VENICE CLASSICS

A CONFUCIAN CONFUSION
Edward Yang
( 129
Sergio Leone – L’italiano che inventò l’America
Francesco Zippel
( 107
TERESA THE THIEF
Carlo Di Palma
( 123

CRITICS' WEEK

DOGBORN
Isabella Carbonell
( 84

VENICE DAYS

THE MAIDEN
Graham Foy
( 117

past conferences

Harry Styles
What I like about acting is that I feel like I have no idea of what I’m doing

Harry Styles

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