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DRY

DRY

Green Drop Award
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Jo Nesbø

Jo Nesbø

LA VERSIONE DI...
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The Greenaway Alphabet

The Greenaway Alphabet

new life to The Draughtsman’s Contract
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Free Jafar!

Free Jafar!

No Bears from imprisoned Iranian director Panahi
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The ‘unpublished chapters’, and the future of the Venice Film Festival

There is no doubt that the Venice Film Festival, like no other similar event, has been able to maintain, and even enhance, a certain sacredness of showbusiness. I see Venice as a focal point not much for the commercial launch of a film, but for its innate capacity of giving a film an aura that is not commonly found anywhere else...
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LOGO-CUFFIE-495x495
Free Jafar!
  • Director's Cut

Free Jafar!

About Jafar Panahi – those who saw his film say it is his best in the last several years, the most accomplished and aesthetically impressive. This is Panahi’s fourth film produced while underground. By the way, this shows clearly the hypocrisy of the Iranian regime, who prevent Panahi to travel outside of...
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International Critics’ Venezia 79 Movies Ratings

INTERNATIONAL CRITICS

SCREEN
INTERNATIONAL
THE HOLLYWOOD
REPORTER
THE FILM
VERDICT
Mathieu Macheret
Le Monde
BEN CROLL
THE WRAP
TOMMASO KOCH
EL PAIS
JONATHAN ROMNEY
THE OBSERVER
BARBARA HOLLENDER
rzeczpospolita
Daniel Kothenschulte
FRANKFURTER RUNDSCHAU

CHARTS

NO BEARS

☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5

4.14

THE BANSHEES...

☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5

3.83

SAINT OMER

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

3.83

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

3.65

ALL THE BEAUTY...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

3.53

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

3.45

LOVE LIFE

☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5

3.42

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

3.30

IL SIGNORE DELLE F...

☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1.5/5

3.03

WHITE NOISE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

3.00

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

2.90

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

2.85

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

2.85

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

2.76

BEYOND THE WALL

☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5

2.72

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

2.68

...ETERNAL DAUGHTER

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5

2.68

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

2.63

BLONDE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

2.58

THE SON

☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5

2.53

OUR TIES

☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5

2.53

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

2.44

CHIARA

☆☆☆☆☆ /5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5

2.23

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

NO BEARS

☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5

4.14

THE BANSHEES...

☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5

3.83

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

SAINT OMER

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

3.83

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

3.65

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE BEAUTY AND THE...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

3.53

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

3.45

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

LOVE LIFE

☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5

3.42

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

3.30

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

IL SIGNORE DELLE F...

☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1.5/5

3.03

WHITE NOISE

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

3.00

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

2.90

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

2.85

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

2.85

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

2.76

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BEYOND THE WALL

☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5

2.72

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

2.68

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BEYOND THE WALL

☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5

2.72

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

2.68

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE ETERNAL DAUGHTER

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5

2.68

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

2.63

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE ETERNAL DAUGHTER

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5

2.68

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

2.63

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BLONDE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

2.58

THE SON

☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5

2.53

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

OUR TIES

☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5

2.53

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

2.44

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

CHIARA

☆☆☆☆☆ /5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5

2.23

Cover Story

Play Video

On Screen

COPENHAGEN COWBOY

HANGING GARDENS

BLOOD

Nicolas Winding Refn

refn

Salwah’s one million and one nights in Baghdad

Ahmed Yassin Al Daradji
Al Daradji's modern Hanging Gardens

Caring for green

77781-NUCLEAR_-_Official_Still__Civaux_Nuclear_Power_Plant__France___Credits_Brighter_Future__LLC_
VFF: from Oliver Stone to Virzì, utmost care for the Planet
  • Venice Immersive
71479-MANDALA_-_A_BRIEF_MOMENT_IN_TIME_-_Official_still__1_

Thomas Villepoux

by Riccardo Triolo
  • Highlights
77517-RAGTAG_-_Official_Still__1_

The Eternal Return

by Davide Carbone
Giuseppe Bocassini presents Ragtag in Venice Classics doc
  • Interviews
Vahid-Jalilvand

One and three stories

by Andrea Falco
Subtle, thrilling action
  • Highlights
74821-Press_Conference_-_CINEASTI_SOTTO_ATTACCO_PANEL_-_Vanja_Kalurdjercic__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_Andrea_Avezz___

The right to disagree

by Shanna Beggio
An international panel and a flash mob on the VFF red carpet to support freedom of expression
DAILY#10_9-10settembre2022_COVER_SITO

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press conferences

palazzo del casinò

13.30 THE HANGING SUN (Out of Competition)
Following the Closing Ceremony
20.00 “LUIGI DE LAURENTIIS” VENICE AWARD FOR BEST DEBUT FILM, ORIZZONTI and VENEZIA 79 Juries
20.45 Award Winners of 79th Venice International Film Festival

Solo accreditati. prenotazione obbligatoria/ Press holders.only upon reservation

OUT OF COMPETITION

THE HANGING SUN
Francesco Carozzini
( 93

CRITICS' WEEK

BLOOD
Pedro Costa
( 99
  • Interviews

Incontro con...

Pages never written

past conferences

Adrien Brody
On the first day of filming, I went home with this sense of awe that I had the privilege of actually working with Marilyn Monroe

Adrien Brody

Venezia News
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t. +39 041 2377739 redazione@venezianews.it
Con il Patrocinio del Comune di Venezia
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