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ALL THE BEAUTY AND THE BLOODSHED

ALL THE BEAUTY AND THE BLOODSHED

GOLDEN LION
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SAINT OMER

SAINT OMER

GRAND JURY PRIZE
READ

LUCA GUADAGNINO

LUCA GUADAGNINO

BEST DIRECTOR
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NO BEARS

NO BEARS

SPECIAL JURY PRIZE
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ALL THE PRIZES OF THE SECTIONS OF THE VENICE FESTIVAL 79

The ‘unpublished chapters’, and the future of the Venice Film Festival

There is no doubt that the Venice Film Festival, like no other similar event, has been able to maintain, and even enhance, a certain sacredness of showbusiness. I see Venice as a focal point not much for the commercial launch of a film, but for its innate capacity of giving a film an aura that is not commonly found anywhere else...
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LOGO-CUFFIE-495x495
Free Jafar!
  • Director's Cut

Free Jafar!

About Jafar Panahi – those who saw his film say it is his best in the last several years, the most accomplished and aesthetically impressive. This is Panahi’s fourth film produced while underground. By the way, this shows clearly the hypocrisy of the Iranian regime, who prevent Panahi to travel outside of...
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GOLDEN LION

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International Critics’ Venezia 79 Movies Ratings

INTERNATIONAL CRITICS

SCREEN
INTERNATIONAL
THE HOLLYWOOD
REPORTER
THE FILM
VERDICT
Mathieu Macheret
Le Monde
BEN CROLL
THE WRAP
TOMMASO KOCH
EL PAIS
JONATHAN ROMNEY
THE OBSERVER
BARBARA HOLLENDER
rzeczpospolita
Daniel Kothenschulte
FRANKFURTER RUNDSCHAU

CHARTS

NO BEARS

☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5

4.14

THE BANSHEES...

☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5

3.83

SAINT OMER

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

3.83

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

3.65

ALL THE BEAUTY...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

3.53

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

3.45

LOVE LIFE

☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5

3.42

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

3.30

IL SIGNORE DELLE F...

☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1.5/5

3.03

WHITE NOISE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

3.00

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

2.90

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

2.85

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

2.85

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

2.76

BEYOND THE WALL

☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5

2.72

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

2.68

...ETERNAL DAUGHTER

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5

2.68

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

2.63

BLONDE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

2.58

THE SON

☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5

2.53

OUR TIES

☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5

2.53

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

2.44

CHIARA

☆☆☆☆☆ /5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5

2.23

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

NO BEARS

☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4.5/5

4.14

THE BANSHEES...

☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5

3.83

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

SAINT OMER

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

3.83

BONES AND ALL

☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

3.65

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE BEAUTY AND THE...

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5

3.53

ARGENTINA, 1985

☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3.5/5

3.45

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

LOVE LIFE

☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5

3.42

TÁR

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

3.30

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

IL SIGNORE DELLE F...

☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1.5/5

3.03

WHITE NOISE

☆☆☆☆☆ 4/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4/5

3.00

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

ATHENA

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5

2.90

MONICA

☆☆☆☆☆ 4/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5

2.85

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE WHALE

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5

2.85

L’IMMENSITÀ

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 3.5/5

2.76

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BEYOND THE WALL

☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5

2.72

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

2.68

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BEYOND THE WALL

☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 4.5/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5

2.72

OTHER PEOPLE’S...

☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5

2.68

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE ETERNAL DAUGHTER

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5

2.68

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

2.63

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

THE ETERNAL DAUGHTER

☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 4/5

2.68

BARDO

☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5

2.63

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

BLONDE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 4/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 4/5

2.58

THE SON

☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 5/5
☆☆☆☆☆ 2.5/5

2.53

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

OUR TIES

☆☆☆☆☆ /5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 1.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 2/5

2.53

A COUPLE

☆☆☆☆☆ 1/5
☆☆☆☆☆ 3.5/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ 2/5
☆☆☆☆☆ 2.5/5

2.44

 

SCREEN INTERNATION.
HOLLYWOOD REPORT.
FILM VERDICT
LE MONDE
THE WRAP
EL PAIS
THE OBSERVER
RZECPOSPOLITA
FRANKFURTER RUND.

CHIARA

☆☆☆☆☆ /5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 1/5
☆☆☆☆☆ /5
☆☆☆☆☆ 1/5
☆☆☆☆☆ 3/5
☆☆☆☆☆ /5
☆☆☆☆☆ 3/5

2.23

Venezia 79 at a glance

WORLD WAR III

VERA

BLANQUITA

Nothing’s real

Houman Seyedi- 1 new
World War III on the set of Houman Seyedi

Lost Illusions

73245-Photocall_-_VERA_-_Directors_Rainer_Frimmel_and_Tizza_Covi__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_Giorgio_Zucchiatti_
Tizza Covi and Rainer Frimmel talk about Vera

The key witness

76028-Photocall_-_BLANQUITA_-_Director_Fernando_Guzzoni__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_G._Zucchiatti___2_
Fernando Guzzoni with Blanquita brings the "Spiniak Case" to the big screen
  • Focus
72851-Photocall_-_T__R_-_Actress_Cate_Blanchett__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_Giorgio_Zucchiatti___4_

Cate Blanchett

by Sara Sagrati
The woman who fell on Earth
  • Focus
Martin McDonagh

Martin McDonagh

by Andrea Zennaro
  • Focus
73880-Red_Carpet_-_BONES_AND_ALL_-_Director_Luca_Guadagnino__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_Giorgio_Zucchiatti___3_

Luca Guadagnino

by Andrea Zennaro
  • Focus
77150-Red_Carpet_-_SAINT_OMER_-_Director_Alice_Diop__Credits_La_Biennale_di_Venezia_-_Foto_ASAC__ph_A._Avezz_____3_

Alice Diop

by F.D.S.
  • Venice Immersive
FROM THE MAIN SQUARE_harres_

Pedro Harres

by Riccardo Triolo
  • Highlights
77493-KHERS_NIST__NO_BEARS__-_Director_Jafar_Panahi__Credits_JP_Production_

Free Jafar!

by F.D.S.
VFF featuring No Bears from imprisoned Iranian director Panahi
DAILY#10_9-10settembre2022_COVER_SITO

download

press conferences

palazzo del casinò

11.30 NUCLEAR (Out of Competition)
12.25 LES MIENS (OUR TIES) (Venezia 79)
13.00 KHERS NIST (NO BEARS) (Venezia 79)
13.45 CHIARA (Venezia 79)
14.30 COPENHAGEN COWBOY (EPISODES 1-6) (Out of Competition - Series)

Solo accreditati. prenotazione obbligatoria/ Press holders.only upon reservation

GOLDEN LION

ALL THE BEAUTY AND THE BLOODSHED
Laura Poitras
( 117

SILVER LION

GRAN JURY PRIZE

SAINT OMER
Alice Diop
( 122

SILVER LION

BEST DIRECTOR

BONES AND ALL
Luca Guadagnino
( 130

COPPA VOLPI

Best Actress

Cate Blanchett

TÁR
Todd Field
( 158

Best Actor

Colin Farrel

THE BANSHEES OF INISHERIN
Martin McDonagh
( 109

BEST SCREENPLAY

THE BANSHEES OF INISHERIN
Martin McDonagh
( 109

SPECIAL JURY PRIZE

NO BEARS
Jafar Panahi
( 107

PREMIO MASTROIANNI

Best New Young Actress

Taylor Russel

BONES AND ALL
Luca Guadagnino
( 130

LION OF THE FUTURE

PREMIO VENEZIA OPERA PRIMA

"Luigi De Laurentiis"

SAINT OMER
Alice Diop
( 122

ORIZZONTI

Best Movie

WORLD WAR III
Houman Seyedi
( 107

Best Director

VERA
Tizza Covi, Rainer Frimme
( 115

AUDIENCE AWARD

"Armani Beauty"

NEZOUH
Soudade Kaadan
( 100

ALL THIS YEARS' PRIZES

  • Highlights

Storie in Festival

In the name of the mother

  • Highlights

Storie in Festival

Italians elsewhere

  • The version of...

Dalla pagina allo schermo

Camille DeAngelis

past conferences

Luca Guadagnino
Thanks to the Biennale for showing that monsters have a place too

Luca Guadagnino

Venezia News
Cannaregio 563/e
30121 Venezia
t. +39 041 2377739 redazione@venezianews.it
Con il Patrocinio del Comune di Venezia
Autorizzazione del Tribunale di Venezia n. 1245 del 4/12/1996
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